
I’ve not often read a book that took such a philosophical look at the human condition, in particular the emotional cost of loving other people and of loving ourselves. About being able to say yes to life, when all around you is pain. This sounds kind of heavy, but in Backman’s hands it never is. Not really.
My Friends begins with a famous work of art and a young girl soon to turn eighteen, who has run away from her foster home with cans of spray paint in her backpack. Lousia has had a hard start to life, and when things go wrong at an exhibition of a painting loved by all the world, she runs down a back alley, where she meets, of all people, the artist. That’s all he has by way of a name, the artist, and when Louisa meets him he’s very ill.
Before long Louisa is on a train, running from her life, and latching on to Ted, the artist’s childhood friend. They’re also lugging along with them, the painting, yes, that one. The artist had got Ted to sell everything he had to buy it back and then unexpectedly bequeathed it to Louisa, a girl with nothing and whom he’d only just met.
Yes, it’s a crazy kind of premise, but soon, shy awkward Ted is heading home on a train, reluctantly with Louisa, who never stops talking, except to listen to his story of how the painting came to be. It’s the story of a summer when four friends are turning fifteen, how their odd friendship came about, and how things are all set to change before school starts again.
“I’m not an artist, I’m -“
The janitor interrupted him so sharply that his ladder wobbled:
“You’re an artist if you create something! You’re an artist if you don’t see the world the way it is, if you hate white walls! No one else decides what art is, no one can stop you loving whatever you like, the cynics and critics can have control of all the other crap on the planet … but they can’t decide how hard your heart beats! Become whatever you want, but don’t become one of them. Art is a fragile enough light as it is. It can be blown out by a single sigh. Art needs friends, with our bodies against the wind and our hands cupped around the flame, until its’s strong enough to burn brightly with its own power. Until it’s an inferno. Unstoppable.”
The boy hesitated for a long time before saying:
“I can’t paint the way the art teacher wants. I can’t paint things. There’s something wrong with my brain.”
“That’s because you don’t paint things the way they look, you paint them the way they feel,” the janitor replied.
First Ted tells Louisa about the artist, that weird kid who tends to get bullied, until Joar steps in and fights back on his behalf. Joar is loud, brash and tells terrible jokes. It’s Joar who crashes into Ted on his bike and who brings him along to the pier – where the friends hang out. Then there’s Ali, the only girl, who is fierce and loud, and a match for Joar. The four build a tight friendship that sees them through the difficulties of their home life, each of which is heartbreaking in its own way.
The story is teased out in chapters interspersed between Ted and Louisa’s lengthy train journey, which is interrupted by all kinds of hiccups. Louisa is difficult to put up with, and yet Ted can see why the artist took a shine to her. She draws too, endlessly sketching away, though doubtful of her talent. You get a lot about the need to believe in yourself and the power of art to transform lives.
At times I did find this book lacking in pace – the kids are always getting into trouble and there are endless anecdotes about that. And that train journey seems to take forever. But it all comes together well and the there are enough surprises to keep you interested. I’m glad I read My Friends. It’s original, inventive and thoughtful and leaves the reader thinking about it long after the last page – a four-star read from me








